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Sonic Conservation: Scottish Artists Transform Bat Echolocation into Electronic Dance Music

A creative collaboration in Arbroath is using ultrasonic bat calls to produce a unique electronic album designed to promote wildlife conservation. By converting high-frequency echolocation into audible rhythms, the project aims to shift public perception of bats and encourage a deeper connection with local biodiversity.

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The musical project was commissioned by Hospitalfield, a historic arts residency and cultural centre located in Arbroath.

The collaboration features the work of vocal artist Hanna Tuulikki and electronic musician Tommy Perman.

The concept originated in 2022 after Hospitalfield hosted community bat walks during the Covid-19 lockdowns.

Positivity 92%·BBN Bright Engine·73 days ago
4 August 2026 at 00:08 BST
Sonic Conservation: Scottish Artists Transform Bat Echolocation into Electronic Dance Music

Beats from the Night Sky In the coastal town of Arbroath, Scotland, an unusual rhythm has begun to emerge from the darkness. As summer 2026 unfolds, a pioneering musical collaboration is transforming the high-frequency world of bats into the pulsing heart of electronic dance music. Commissioned by Hospitalfield, a historic arts residency and cultural centre, this project invites listeners to experience the local environment through an entirely new lens. By blending the worlds of environmental science and contemporary art, two creative minds are turning nocturnal echolocation into a sophisticated, rhythmic auditory experience that aims to reshape how the public views these misunderstood winged creatures. The project, which draws its inspiration from the natural sonic tapestry of the Scottish landscape, serves as a bridge between the unseen lives of bats and the vibrant textures of modern club culture.

A Symphony of Echolocation The collaborative vision behind this unique album belongs to vocal artist Hanna Tuulikki and electronic musician Tommy Perman. Their journey began back in 2022, following a series of community bat walks hosted by Hospitalfield during the period of the Covid-19 lockdowns. These quiet, contemplative strolls through the Arbroath landscape sparked a curiosity about the hidden vocalizations that populate the night air. While these sounds are typically far beyond the range of human hearing, the artists utilized specialized heterodyne bat detectors to bridge the gap. By processing these ultrasonic signals, they successfully shifted the secret language of the local bat population into a frequency range that the human ear can fully appreciate. The resulting compositions are not merely curiosities; they are complex, rhythmic landscapes filled with clicks, buzzes, warbles, and distinct patterns. Perhaps most striking is the inclusion of the "feeding buzz," a rapid-fire sequence of calls that bats use to home in on their prey. Through the precise work of Tuulikki and Perman, these functional, life-sustaining sounds have been meticulously woven into the fabric of electronic dance music, revealing a profound and unexpected natural link between wildlife vocalizations and the beat-driven structures of contemporary synthesisers.

Challenging Myths Through Music Beyond the technical achievement of the recording, this initiative carries a significant social purpose. Bats have long suffered from cultural myths and negative stereotypes that paint them as creatures of fear. The team at Hospitalfield, which possesses a long-standing history of supporting art that interrogates the relationship between humans and nature, recognized an opportunity to flip this narrative on its head. By transposing the clicks of an echolocating bat into a format typically associated with nightlife and dance floors, the project invites younger and more diverse audiences to engage with conservation in an accessible, upbeat, and innovative way. The goal is to move past the stigma and foster a sense of wonder. When listeners tune into the album, they are encouraged to adopt a "more-than-human" perspective, recognizing bats not as spectral figures of folklore, but as vital, essential members of the ecosystem. This shift in perception is at the core of the project's conservation ethos. By generating genuine public interest and curiosity, the collaboration seeks to build a stronger connection between the local community and the biodiversity that exists right on their doorstep. It is a powerful reminder that conservation does not always require silence; sometimes, it requires a rhythm that makes people stop, listen, and reconsider their place within the natural world.

A Future Shaped by Sound As the album gains attention throughout August 2026, it stands as a testament to the power of cross-disciplinary work. This intersection of environmental science and creative production highlights how the arts can provide the tools necessary to advocate for the planet. For the people of Arbroath and beyond, the music serves as an invitation to walk outside with a heightened awareness of what might be flying overhead. The success of this project illustrates a growing trend in the United Kingdom where environmental initiatives move beyond traditional rhetoric to embrace imaginative, community-led narratives. By framing the survival of bat species as a rhythmic, auditory delight, the artists have successfully carved out a space where the health of the environment is intertwined with the joy of musical discovery. Looking ahead, this work offers a blueprint for how other regions might engage their local populations in the protection of indigenous wildlife. When the next beat drops, it may just carry the echo of a tiny, vital creature, reminding us all that we share our spaces with a sophisticated, thriving, and sonic-driven world. The future of conservation may well be found on the dance floor, where the clicks and buzzes of the natural world continue to inspire a new generation of stewards.

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